
Fast forward a couple of months and my mail box smiles and spits out the dvd into my anxious palm (cue Bruce Springsteen's "Glory Days") and I set into motion an event that has been years overdue: my viewing of Crimewave!
So was it epic? What the fuck was it about this movie that I felt the need to waste so much of your precious time building it up? NOT MUCH. Don't get me wrong, it's an awesome movie and I loved it, but is it important? Yes and no. It's important in the way that you can see early habits starting to form, habits that would become key signatures for these filmmakers who would go on to be considered by some to be a major force in keeping film original and extremely entertaining for us today. First and foremost, it's a fun, goofy dark comedy written by the Coens, so the dialog is totally off the charts and hilarious, even for an eighties comedy, and that says a lot, based on my belief that comedy is the genre that suffers the most with age. Some shit you saw 10 or 15 years ago just isn't that funny anymore, we all know that. What keeps Crimewave funny? I don't know, I think it's the over-the-top film noir delivery combined with cheesy(but totally effective)sound effects and cartoon-like situations. It almost seems as if after Evil Dead, Raimi wanted to amp up the silliness that was just an effective background tool for Ash and company and just went totally balls out and made a cross between The Three Stooges, "Who Framed Roger Rabbit?" and a live action Tom & Jerry episode. Watching this you can't help but imagine just how much fun Raimi had throwing every classic slapstick gag into this movie. You name it, it's in here.
The storyline is insanely surreal but simple. Two business partners are dead and an employee is framed for the murder. Through flashbacks, we get thrown into a plot that involves Bruce Campbell as a scumbag (or "Heel", as he is constantly referred to) that utters lines like "Hey baby, why don't ya come on over to my pad. We'll have a scotch and sofa", a sorry ass nerd (who is also the "hero" played by Reed Birney, whoever the hell he is) who is in love with the wrong girl and best of all, there are two "exterminators" that kill people with an electrocution device that has 3 hilarious settings: "RAT", "MAN" & "HERO". The movie is a blast and you'll love it if you love campy, goofy cult classics. The Budget wasn't the best, the acting is not top notch, but the talent is there and the fun is in your face, just stop being a tight ass and enjoy the damn movie.
Check out the clips below!
And here's the trailer (shitty quality)
Trivia:
-The name of the prison in this movie is "Hudsucker", a name they would reuse for the Coens' "The Hudsucker Proxy", a film where the trio would collaborate on screenwriting duties yet again.
-The Oldsmobile Delta that is featured prominently in the Evil Dead trilogy which also makes an appearance in this film (and many of Raimi's films to come, including Spider-Man), was Sam's actual car for quite some time.
-The name of the prison in this movie is "Hudsucker", a name they would reuse for the Coens' "The Hudsucker Proxy", a film where the trio would collaborate on screenwriting duties yet again.
-The Oldsmobile Delta that is featured prominently in the Evil Dead trilogy which also makes an appearance in this film (and many of Raimi's films to come, including Spider-Man), was Sam's actual car for quite some time.